Roberto Azank

▪Who's Who in American Art (1999-2021)

▪Impacto Latin News, "Lotus Paintiings, exaltation of Nature", by Ximena Hidalgo-Ayala, January 2015

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▪Pulse, Interview by John Nelson. March 31, 2005

▪Woodstock/New Paltz Times, “Moving Stills”, by Mala Hoffman, April 14, 2005

▪Desert Post Weekly, “Buenos Aires artist brightly colors Reality”,

  by Marc Thomson, February 5, 2004

▪Essay by Lee Klein for the exhibition catalog at Eleonore Austerer Gallery, 2004​

▪The Miami Herald, “Latin American Art in Coral Gables”, June 29, 2003

▪Palm Springs Life,”Where to see Roberto Azank”, by Steve Biller, August 2003

▪Coral Gables Gazette, “Latin American Masters of Today and Tomorrow”, July 3, 2003.

▪Washington City Paper, Exhibition Review, by Louis Jacobson, March 7, 2003

▪“When the Subject is also an Object (Conversations/Solitaire)”, Essay by Lee Klein, published by Addison-Ripley  Gallery, February 2003​

▪Old Town Crier, Review by G. Lennox Campello, March 2003

▪San Francisco Business Times, ”Viewing Art with an Eye towards Capital Growth”, by Lizette Wilson, Sept. 27 2002

▪Woodstock-New Paltz Times,”Personally Speaking” by Mala Hoffman, August 22, 2002

▪Chronogram, “On the Cover”, July 2002

▪New York Arts Magazine, by Lee Klein, December 2001

▪San Francisco Examiner, Review, by Anne Lawrence, June 12, 2001.

▪The Desert Sun, Review by Jean McKig, December 2001

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▪Washington Post, exhibition review by Michael O'Sullivan, March 26, 1999

▪Wall Street Journal, ‘Inside Art - Trendsetters- Creating the Next Direction’, “Cypherism and the Age of Computation”, New York,    August 1999

▪Miami Herald, “Cypherism and the Metaclassical Style of Roberto Azank”

▪Essay by Dr. Ronald Vigo, published by Brewster Arts Ltd., March 1999